#Graffiti Removal Services near me

[airestoration]

Graffiti Removal Services in Wilmington, NC

A&I Fire and Water Restoration provides reliable Graffiti Removal Services in Wilmington NC. Our experienced team uses advanced techniques to effectively remove graffiti from various surfaces, restoring your property’s appearance and value. We ensure safe and thorough cleanup. Call us today at 910-799-5135 to schedule your service.

[fusionpressurewashing]

Fusion Pressure Washing | Pressure Washing Service | Concrete Cleaning Service in Temple GA

We are your dependable and trustworthy go-to for Pressure Washing Service in Temple GA. Our professional team uses cutting-edge equipment to ensure your property always looks its best. We're dedicated to removing even the toughest grime and dirt from your exteriors, restoring their original shine and charm. From us, you can expect superior results, exceptional customer service, and a commitment to maintaining the beauty and value of your property. Moreover, acquiring our top-tier Concrete Cleaning Service in Temple GA. will give your concrete surfaces a gleaming look. We will thoroughly remove stubborn stains, discolorations, and buildup from your driveways and walkways. So, if you need our expert assistance, give us a call today.

[natashas-writings]

Transform Your Surfaces with Dustless Mobile Blasting!

Minutemen Mobile Blasting, LLC offers the fastest, cleanest, and greenest method for surface preparation with our state-of-the-art Dustless Mobile Blasting technology. Locally owned and operated, we can remove virtually any coating from any surface, whether it's automotive, marine, residential, commercial, or industrial. Our eco-friendly blast media ensures no harm to nearby grass or foliage.

Services include:

Automotive Frame-off Rotisserie

Marine Anti-fouling Paint Removal

Industrial Fleet Vehicle Stripping and Graffiti Removal

Residential Walkways, Log Homes, Brick, Stone, and Granite Cleaning

We also provide maintenance scheduling for industrial projects and offer a 5% discount for active duty and veterans (post-estimate). Free quotes are available. Contact us today to discuss your project needs and experience the efficiency of Dustless Mobile Blasting!

Call or email Minutemen Mobile Blasting, LLC now! Learn more: dustless blasting near me

[skaddy111]

Enhancing Sacramento's Infrastructure with Sonic Wash: Your Go-To Solution for Roof Washing, Epoxy Flooring, and Pressure Washing Services

In the bustling city of Sacramento, maintaining the exterior of your property is paramount. From roofs to concrete surfaces, ensuring they remain clean and well-maintained not only enhances aesthetics but also prolongs their lifespan. At Sonic Wash, we understand the significance of a pristine exterior, offering a comprehensive range of services including roof washing, epoxy flooring, commercial pressure washing, and concrete sealing. With our expertise and dedication, we strive to be your trusted partner in safeguarding and enhancing the visual appeal of your property.

Roof Washing Sacramento: Preserving Your Property's Integrity

Your roof is not just a protective shield; it's a vital component of your property's structural integrity. Over time, it's susceptible to dirt, algae, moss, and other debris buildup, which not only detracts from its appearance but can also lead to damage if left unchecked. At Sonic Wash, we specialize in professional roof washing services tailored to Sacramento's climate and roofing materials.

Our team employs advanced techniques and eco-friendly cleaning solutions to safely and effectively remove dirt, stains, and organic growth from your roof surface. Whether it's asphalt shingles, tile, or metal roofing, we have the expertise to restore its pristine condition without causing any damage.

By investing in our roof washing services, you not only enhance the curb appeal of your property but also extend the lifespan of your roof, saving you from costly repairs or premature replacement.

Epoxy Flooring Near Me: Transforming Surfaces with Durability and Style

When it comes to interior flooring solutions that combine durability with aesthetics, epoxy flooring stands out as a popular choice. Whether for commercial or residential spaces, epoxy flooring offers unmatched resilience against heavy foot traffic, chemicals, and stains, while also providing a sleek and customizable finish.

At Sonic Wash, we specialize in installing high-quality epoxy flooring solutions tailored to your specific needs and preferences. Our team works closely with you to understand your vision and deliver seamless epoxy flooring that enhances the functionality and visual appeal of your space.

From industrial warehouses to retail establishments, our epoxy flooring solutions are designed to withstand the rigors of daily use while maintaining their pristine appearance for years to come. With a wide range of colors, textures, and finishes available, you can trust Sonic Wash to transform your floors into durable, eye-catching surfaces that leave a lasting impression.

Commercial Pressure Washing Sacramento: Restoring Exterior Surfaces to Their Former Glory

In the competitive business landscape of Sacramento, maintaining a clean and inviting exterior is essential for attracting customers and projecting a professional image. However, the exterior surfaces of commercial properties are constantly exposed to dirt, grime, and pollutants, which can dull their appearance and detract from their curb appeal.

At Sonic Wash, we specialize in commercial pressure washing services designed to rejuvenate your property's exterior surfaces and leave them looking fresh and well-maintained. Whether it's sidewalks, parking lots, or building facades, our team utilizes state-of-the-art pressure washing equipment and environmentally friendly cleaning agents to remove dirt, stains, and graffiti effectively.

With our expertise and attention to detail, we can tackle even the toughest cleaning challenges, restoring your property's exterior to its former glory and creating a welcoming environment for customers and clients.

Pressure Washing Services Near Me: Convenient Solutions for Residential and Commercial Properties

Whether you're a homeowner looking to spruce up your property or a business owner seeking to maintain your commercial premises, finding reliable pressure washing services near you is essential. At Sonic Wash, we pride ourselves on being your local partner for all your pressure washing needs.

From residential driveways to commercial buildings, our team offers convenient and cost-effective pressure washing solutions tailored to your specific requirements. Using a combination of high-pressure water and specialized cleaning agents, we can remove dirt, grime, mold, and mildew from a variety of surfaces, leaving them clean and revitalized.

With our commitment to quality and customer satisfaction, you can trust Sonic Wash to deliver exceptional results every time, enhancing the appearance and value of your property.

Concrete Sealing Services: Protecting Your Investment

Concrete surfaces are not only functional but also contribute to the overall aesthetics of your property. However, exposure to the elements and heavy traffic can take a toll on concrete, leading to cracks, stains, and deterioration over time. To preserve the integrity and appearance of your concrete surfaces, investing in professional sealing is essential.

At Sonic Wash, we offer comprehensive concrete sealing services designed to protect your investment and prolong the lifespan of your concrete surfaces. Our team utilizes high-quality sealants that penetrate deep into the concrete, creating a protective barrier against moisture, chemicals, and other contaminants.

Whether it's driveways, sidewalks, or patio areas, our concrete sealing services help prevent cracking, spalling, and staining, keeping your surfaces looking pristine for years to come. With our attention to detail and commitment to excellence, you can trust Sonic Wash to enhance the durability and beauty of your concrete surfaces.

Conclusion: Partner with Sonic Wash for Superior Exterior Maintenance Solutions

In Sacramento's dynamic business landscape, maintaining the exterior of your property is essential for attracting customers, preserving property value, and projecting a professional image. With Sonic Wash as your trusted partner, you can access a comprehensive range of exterior maintenance solutions tailored to your specific needs and budget.

Whether you require roof washing, epoxy flooring, commercial pressure washing, or concrete sealing services, our team of experienced professionals is here to deliver exceptional results. Contact us today to learn more about how Sonic Wash can enhance the beauty and longevity of your property's exterior surfaces.

[drsposhfloors]

Looking For Graffiti Removal and Restoration Near Me, Contact Posh Floors Ltd.

The building's inherent appeal may be lost if a graffiti is painted over, or it may get worse. Our team at Posh Floors Ltd. is aware of the impact that graffiti may have on your home or place of business. Therefore, if you're seeking for graffiti removal and restoration services nearby, get in touch with Posh Floors Ltd. For more details, please Call 0845 652 4111 or email us at survey@poshfloors.com

[arttech]

City Washer

Welcome to City Washer Company! We are your partners in cleanliness, dedicated to bringing a new level of freshness to your spaces. Our services encompass pressure washing, carpet cleaning, gutter cleaning, window cleaning, graffiti removal, and commercial cleaning. Experience a higher standard of cleanliness with us today!

For more at Pressure washing Near me & MAP.

Business Address: 6200 Canoga ave #204 Woodland Hills Ca 91364

Phone: 801 888 9444

[adelaidecleanings]

Graffiti removal service in Adelaide | Adelaide Cleaning

Adelaide Outdoor Cleaning Solutions steps up to the challenge with their expert graffiti removal service. So, whether you seek a vacuum gutter cleaning near me in Adelaide, reliable graffiti removal service, or gutter care in the enchanting Adelaide Hills, Adelaide Outdoor Cleaning Solutions stands ready to serve with utmost professionalism and care.

[rochecleaningsolutions]

Bentleigh High Pressure Cleaning Near Me

If you are looking for an effective and safe way to clean your home exterior, you should consider hiring a professional pressure cleaning service. They can remove stains and dirt from your roof, siding, gutters, decks, and driveways.

When selecting a specialist pressure cleaning service, look for one that is fully licensed and insured. This is important in case of any damages to your home. To know more about High Pressure Cleaning Near Me, visit the Roche Cleaning Solutions website or call 0415615170.

Roof cleaning is an important part of maintaining the health and longevity of your roof. Algae, mould and mildew can build up over time causing unsightly staining on the surface of your roof or even worse affecting its performance and energy efficiency. Using a high pressure water cleaner can be an effective way to remove these stains and prevent them from getting worse. Unlike a garden hose, however, this type of cleaner needs to be used with care, particularly on Colorbond and metal roofs where flashings are present. The trick is ensuring the correct water pressure and a combination of chemicals to get your roof looking great again.

The best part is that it doesn’t have to be expensive and a professional pressure cleaning company will make sure your roof looks amazing again.

Bentleigh is a lovely leafy suburb that is located 14 km south east of Melbourne’s Central Business District in the City of Glen Eira local government area. It is a popular family suburb with plenty of parks, sports fields and playgrounds for the kids to enjoy. The suburb is also home to many trendy cafes and restaurants, and is a short drive to the beach.

Optima Cleaners offers quality home exterior pressure cleaning services in Bentleigh to remove dirt, grime, mildew, and other build-up from your roof, siding, gutters, decks, and driveways. We use environmentally friendly cleaners and high-quality equipment to safely clean your property’s exterior surfaces. Contact us today to schedule a pressure cleaning appointment. We will come to your home and provide you with a free quote. We’re available around the clock! Book a service online or call us at 131 546. We are a Police Checked, Fully Trained and Insured Professional Cleaning Company that cares about your home.

Gutters are a vital component of the home, diverting rainwater away from the house’s foundation and siding. Without gutters, water can leak into the basement and cause serious damage to your property.

A clogged gutter system can also cause water to seep into your walls or foundation, leading to mould and structural damage. Having your gutters cleaned professionally will reduce these risks and protect your property.

Gutter cleaning services can be a costly investment, but they will save you money in the long run. By avoiding gutter clogs, you can extend the life of your roof and prevent water damage to the interior of your home.

It’s important to clean your gutters on a regular basis, particularly after trees start dropping leaves in autumn. This will help avoid clogs and debris that could rip your gutters off the roof and cause extensive damage to your home.

If you want to make the most of your driveway, it’s important to clean it regularly. It’s not only a visual improvement, but it can also reduce the risk of slipping and falling.

A high pressure cleaner can get rid of those pesky oil stains, leaving your concrete looking shiny and new. They can also tackle the tougher jobs, like removing graffiti and sealing your asphalt. To know more about High Pressure Cleaning Near Me, visit the Roche Cleaning Solutions website or call 0415615170.

Bentleigh high pressure cleaning near me offers a variety of services to suit your needs. We’re sure you’ll be pleased with their quality of work and their attention to detail. They also come with the latest and greatest tools and equipment to get the job done right. They’re also happy to answer any questions you may have, no matter how minor. To book your free quote, contact them today. The best part? You can even book online! We look forward to hearing from you soon. You can find out more about their other high-end cleaning and maintenance services, and learn more about their credentials by visiting their website or calling them directly.

[rayscleaningsc]

Choose Pressure Washing In Columbia SC For Clean Surrounding

Pressure washing near me will be the first question that will strike your mind if you have shifted to Columbia SC recently or looking for best cleaning services. Pressure washing  includes the use of high-pressure water spray for removal of grime, dust, mold, loose paint and dirt from various objects like vehicles, buildings and surfaces like concrete surfaces.

Pressure washing or cleaning is one the most important and demanding cleaning method across different parts of world because it is one of the most versatile method. Only high pressure washing or cleaning equipments can remove the dust, grime, dirt, stains and mold from different surfaces.

Ensuring the professional and welcoming look of your home can be quite difficult for you because variety of unwelcoming factors like birds, pollution, gum, grease, mildew and gum can make your windows, roof and walls look ugly or filthy.

You can easily get rid of those ugly stains, marks and streaks with pressure washing. Removing the grime, dirt using pressure washing servicesholds various advantages.

Improve the curb appeal of your building:

When you choose to clean your building regularly using pressure washing by professionals , you can improve the overall look of your home or any commercial building. Pressure washing services can make your building look new and appealing.

A cleaned commercial building can also benefit your business. Clients and your employees can enjoy in dust or germ free environment and proud to work in healthy environment.

Save your efforts and valuable time:

When you decide to do pressure cleaning by yourself or by taking help of existing employees, you choose to keep you and your staff away from some important tasks. Also, cleaning can be a bit challenging fir you as well as your staff.

In the life full of hassle, you definitely wants to focus on other priorities of your life rather than pressure cleaning. So when you choose pressure washing services in Columbia SC, you can take your burden off from your shoulders.

Prevent repairs:

Bird droppings, algae, mood growth and dirt look very ugly and may cause further damage. Building materials such as brick may deteriorate as the time passes if not cleaned properly on time. Pressure washing of windows, walls, roof and gutters on regular basis can reduce these risks.

Bird droppings are highly acidic and can weaken the roof or gutter systems of a commercial or residential building leading to a collapsed roof or break. Simply cleaning the droppings and preventing further build-up with time to time cleaning can help reduce the risk of damage to structure.

Saves your hard earned money:

If you want your business clean for longer period of time, pressure washing is very important. There are chances of fast deterioration of you neglect it’s cleanliness for longer period of time.

If you will not bother about building of your entity, you could end up creating hole in your pocket by investing money for repairs and maintenance.

When you choose professional pressure cleaning services, you can save your hard earned money.

Clean associated spaces:

Pressure washing servicesnot only benefits your windows, walls and roof but also clean other spaces and property associated with the building. The most popular spaces that needs to be pressure washed are sidewalks and walkways in the front of your building.

Pressure washing can also benefit the parking garages, loading docks, dumpster areas, parking lots and facades. Pressure washing also improve the employee and client experience at the building and make the building itself look better.

Get rid of graffiti:

Just like the structural or safety risks as mold or bird droppings, graffiti and spray paint can be among the most offensive and unsightly stains on a building. Pressure washing can help remove the paint and give your building an appealing and professional look.

Final thoughts

High pressure cleaning equipments used by the professionals can work like magic. Sourcing it yourself can be bit expensive for you. If you are not well experienced and well trained, you might not be able to use the equipments properly.

If you want to avoid such risks in your life, you should take help of professional pressure washing services in Columbia SC.

[lopezpressurewash]

How Does Pressure Washing Your Home Can Provide Long-Term Benefits?

Cleaning the exterior of your home with soap and water is not only a daunting task but also unrealistic. You will never get the desired outcome by cleaning the surfaces on your own. To deep clean your home, you need to make a room in your schedule for regular pressure washing. A blending of high-pressured water with gentle chemicals has made pressure washing extremely valuable. This method alone can clean any surface without any difficulty. Opt for a professional pressure washing service once to see the result. For receiving an amazing result, search for reliable services like “Livingston Power Washing Near Me”. Check some of the advantages of professional pressure washing here.

Renovate Your Home Easily

Before renovating your home, you need to prepare the surface. A pressure washer will spray high-pressure water to clean all the surfaces effectively. Everything from bird droppings and cobwebs to graffiti will be removed by pressure washing the walls. Search for reliable services to get great results. You can even search for “Livingston Power Washing Near Me” to get a seamless experience.

Expand the Lifespan of Your Home

Your home contains not only the interior but also the exterior. The exterior is continuously getting exposed to various elements frequently. Rainwater, storm, or snowfall hits the outer walls first. If not cleaned, dampness may occur on the surfaces. This will lead to the formation of moss, algae, or mold. These are harmful to the sealant and outer paints. Only pressure washing can eradicate these organisms from the root.

The Cleaner the Healthier

A clean environment always leads to more comfort. Also, you will feel safer if your surrounding gets free from harmful entities. Infectious contaminants can stay in mold, moss, and other debris. These can be spread through the air. Also, respiratory problems can be increased due to huge amounts of dirt. Stay away from all these unwanted hazards by simply hiring a professional service. Searching for reputable services like “Livingston Power Washing Near Me” will make your task easy.

[airestoration]

Get Graffiti Removal Services Near Wilmington, NC

A&I Fire and Water Restoration offers professional Graffiti Removal Services Near Wilmington NC. Our skilled team effectively removes graffiti from various surfaces, restoring your property’s appearance. Call us today at 910-799-5135 for prompt and reliable graffiti cleanup.

[ozco-facility-group]

Hire Renowned Floor Cleaning & Carpet Steam Cleaning in South Eastern Suburbs

Many well-known also offer high-pressure cold, hot, and superheated carpet steam cleaning in South eastern suburbs. They concentrate on a holistic and environmentally safe cleaning method to completely remove dirt, dust, muck, grime, oil stains, loose paint, slippery moss, and more. In addition, these well-known cleaning and restoration services deliver their professional services for driveways, concrete slabs, patios, garden furniture, deck upkeep, brick scouring, removing graffiti, cleaning timber and wood, and more for both residential washing services or industrial high-pressure washing.

Several people often search for well-known carpet restoration services near me to get rid of the harshest grit, filth, and stains on all types of carpets to restore the original lustre. Reputable services are well-equipped with specialised tools and powerful cleaning agents. Furthermore, many of them also provide high-pressure tile and stone floor cleaning, floor restoration, floor polishing, window cleaning, pet stain and odour removal, end-of-lease cleaning, and contact cleaning.

 All types of natural stone floors should be sealed and restored in order to preserve them from issues with stains, bugs, dust, and grit. Because most natural stones are porous and require specialised cleaning and sealing techniques to restore their beauty while avoiding cracking and long-term harm. 

A few of them provide restoration services for after-flood floor and carpet damage. Their skilled and technical experts use specific cleaning methods to remove stubborn grime and filth, improve the flooring's overall aesthetic appeal, and lessen the chance of someone tripping or slipping. Additionally, they use state-of-the-art equipment and top-of-the-line cleaning solutions to eliminate bug infestations, raise interior temperatures, and create spotless surface finishes.

As a result, people can get back the original look, keep carpets and floors safe for longer through thorough maintenance, and save a good amount of money. If someone needs assistance with carpet cleaning, they should get in touch with reputable floor cleaning services for both residential and commercial needs.

Source

[rgcseo]

Over time the surfaces and paint on buildings can become weathered and worn down. All Districts Coating are highly skilled in both restoring surfaces to their optimum state and preventing surfaces from succumbing to damage.

[jimmys-zeppelin]

ghostin'

chapter fifteen

(table of contents)

(chapter fourteen)

june 26, 1976

"We're here today with Miss Ellie Saunders, singer and writer of the newest song going up in the pop charts, Songbird! Would you like to say hello to our audience, Ellie?"

"Hi, everyone! Thank you so much, Bill for having me on."

"Pleasure's all mine. Last time we had you in the studio was...two years ago with your single, Dreamer, isn't that right?"

"Very much so! Since then lots of things have changed." Ellie chuckled, reflecting on the past for a split second.

"Yeah, you were just a wide-eyed kid who had no idea what the business was like or where you were going. Nice to see you settled down. Now, you're with Led Zeppelin's guitarist, Jimmy Page, right? How's that working out with their constant touring?"

Ellie visibly tensed. If they were there to talk about Jimmy, they should have just called him on instead, but alas she was polite and answered the question. "Yes, Jimmy and I are together," she chuckled nervously, "Well, we manage our time pretty well. He's currently away doing his stuff and I'm working on my new album, but we find time to get a phone call in before bed...middle of the night," she laughed, "we find a way."

"Adorable, you two are. So this album of yours? Got a title yet? And what kind of songs are we going to see on it?"

"Not yet," Ellie answered, but quickly saved herself, "we have a working one, but even that's under wraps for now. As for songs, they're mostly just your regular old love songs I guess. The experimental piece was actually one I plan to release soon. I really hope my fans enjoy it. It took a lot to write it."

"And the title?"

Ellie looked over to Carolyn, who sat across the room puffing on a cigarette. The brunette nodded at the blonde, allowing her to speak on the song, "Well the song is called Sign of the Times. It's about seeing a change in someone you love and having to accept it. It could be with a wife, husband, lover, friend; anyone you hold dear who you just...can't help but worry about." She explained, getting lost in her own words as she thought about Jimmy. "As you can see I'm still a bit raw about it," Ellie lightly rubbed at her watering eyes.

"Do you miss your person?" Bill asked, suddenly becoming quite sincere.

Ellie met his gaze, nodding, "I do." she said, thinking of what lie to tell people to convince them she wasn't talking about her lanky, dark-haired boyfriend.

"Well, now onto what you're here for. Tell me about Songbird, then."

"Um, well...there was a slight bit of a rough patch lately that affected me a bit. I decided to get my trusty notebook out and spew out all the words that would come. And Songbird came out of that."

"Some beautiful acoustic on there, who did it?"

"I did! Jimmy's not the only one who's well-spoken in the ways of a guitar in this relationship. Although I did want him to come play on it for me, our schedules just didn't line up." She shrugged.

"Incredible. Well, here it is, folks. The new song by Ellie Saunders: Songbird." Bill said, fiddling with some buttons and getting his turntable ready before removing his headphones, "you can take those off now." he said.

Ellie removed the bulky headphones from her hair and held them idly in her lap as her song played out to the broader Los Angeles area. She knew it wasn't the first time a station had played the song in the week or so that it'd been out, but it was different knowing that she was right there while it was playing out to thousands of people. It was daunting if anything.

"Ellie that was great. Thank you so much for coming on!" Bill said, standing to shake Ellie's hand. The singer mirrored his actions and went in for a handshake, returning the favor.

"Thank you for asking me to come on. It was a pleasure. Maybe I'll come back when Sign of the Times comes out." She said with a wink.

"Of course," Bill replied, "tell me. In confidence; off the record. Is there a title for the new record?"

Ellie contemplated her honest answer, then exhaled through her nose in a laugh before answering, "No, actually. I have no idea what it's called. I've been so focused on writing songs that...I just haven't had time to think of a title, honestly." Ellie laughed as she spewed the honest truth.

Bill laughed out loud at the comment, giving Ellie a pat on the back, "Seriously, Ellie, come back any time. New song, new album, or if you just wanna chat with me for the morning segment. It would be great."

"Thank you so much, Bill." She repeated as she started picking up her bags. Carolyn put out her cigarette in an ashtray near the microphones and gave Bill a firm handshake. The women left the building shortly after.

After they'd been settled in the car to take them back to the studio, they finally got a chance to take a breather and relax. Things had been moving at a touch and go pace since finishing the two bigger singles. The rest of the songs still needed more, Ellie thought. It often occupied her mind just what she wanted to add to each song. That and Jimmy.

Not only was she concerned about him, she found herself getting increasingly more discouraged when she spoke with him. Like she was walking on eggshells when it came to a conversation with him. If either of them said the wrong thing, the other would get set off. Ellie found herself as more of the latter. She hated arguing while they were away from each other, but she couldn't help comment about his activities. He knew her disdain of it and it seemed there wasn't much else to talk they had to talk about since their days were full of nothingness lately.

☆

Andrew came over late that night. One more song on the album had been finalized and he deemed it enough to celebrate. Five of twelve songs completed, in case anyone was counting.

"Cheers to another amazing song by my best friend." Andrew said, raising a glass of some old whiskey Ellie had had hidden in her house since she'd moved in. The blonde could hardly remember who had given it to her. It seemed it just was a part of the house at that point.

They clinked glasses and each took a sip, both inevitably coughing and gagging at the taste and giggling at their reactions. Their conversation carried on until Ellie's eyes wandered to her stack of mail. Since getting home she hadn't had much time to give it a look so she gave each letter a once-over before focusing on Andrew again. That was the plan, at least.

However, a postcard caught her eye and she couldn't help but pick it up.

'Sunset Strip, Hollywood, California' Read the front as it was decorated with a photo of the infamous Sunset Strip at night. Ellie flipped over the postcard, her eyes quickly darting past the words that had been scrawled onto the paper.

'I recall you saying something about the Sunset Strip calling your name when we went out for dinner. How about we go out again sometime soon? You can be a Dreamer about life again. Call me when you get this. 213-xxx-xxxx

Hugs, Roger

P.S. Did you get the reference of your song that I used?

P.P.S. Ask for Simon Ferocious'

The blonde furrowed her eyebrows, but was delighted at the prospect that Roger would send her a postcard. She reached for the phone, starting to dial the numbers.

"What's up?" Andrew asked, taking another sip of the blasted whiskey, to which he exhaled sharply only seconds later. He set the cup down in disgust.

"It's Roger. He's in California. Told me to call him." Ellie replied, handing the man the postcard as his hands reached out for it. The line rang while Andrew exhaled through his nose, laughing at the corny jokes made in the letter.

"Ritz Los Angeles, my name is Angela. How can I be of service to you this evening?" The woman on the other line said. Ellie was taken aback slightly at the discovery of the Ritz's hotel having been the main point of contact for Roger.

"Uh, hi. I'm calling for a Simon Ferocious staying at your hotel." Ellie said, trying to hold back her laughter.

"And who's asking?" She asked.

"Say it's Mrs. Page. He'll know who it is."

"I'll put you through."

"Thank you."

Silence came through the phone before the Hold music shortly began. An ear-raping jazz number made Ellie put the phone down as soon as the music started.

"Simon Ferocious?" Andrew asked, having come back into the living room with a near-empty bottle of blush wine Ellie had been keeping in the fridge along with two flutes. She shrugged as he poured the rest out for the both of them as the infernal jazz finally came to an end.

"Mr. Ferocious for you, ma'am." The woman said.

"Thank you," Ellie paused waiting for the clicks before Roger's familiar rasp came through.

"Mrs. Page, hm?" Roger asked.

"I heard we weren't giving out our real names." Ellie laughed, twirling the phone cord around her finger. Her eyes followed Andrew as he walked over to her record collection beside the turntable.

"Well, I had good reason. I'm staying on the down low."

"Is that it? Who's Simon Ferocious, then?" she asked as the sounds of a song she couldn't quite place by Led Zeppelin came flooding through the speakers. The song was from a  special release pressing Jimmy had gifted her when Physical Graffiti was released the previous year. Close friends and family received them. Ellie had been honored to say the least.

Roger chuckled, "A guy looking to take you out to a show. Someone there with you?"

"Just Andrew. He's my best friend—"

"And I'm gay!" Andrew shouted across the room.

"Nothing to worry about." Ellie smiled, and though Roger couldn't see it, he could sense it.

"Right. Simon Ferocious is something Fred called Sid Vicious because he was bothering him one day in the studio," Roger laughed, "Ask him about it one day, he'll get so cross about it."

"I think I might. Feel like you're not doing the story justice." Ellie chuckled. "So is Mr. Ferocious going to take me out to a show?"  She asked as Andrew returned to his seat on the floor across from the singer, munching on a cracker that was sitting on a plate.

"I was hoping to today, actually. Then I heard you on the radio this morning and thought you might be busy."

Ellie apologized for the delay, "I got your postcard yesterday, I just didn't bother to look at my mail because it was all mixed with bills and other junk that it got lost. I'd ditch Andrew for you any night."

"Bitch!" The aforementioned man exclaimed, slapping Ellie on the shoulder with a push. A bubbly, hearty laugh left her throat as she fell back onto the floor.

Catching her breath, she confessed, "We're getting a little tipsy." she giggled. "How much longer are you in LA? I'll make it up to you."

"I leave on the 5th of July. I have to be back in London so we can start the new album."

"Well let's go to a Fourth of July celebration! I think my record label's throwing one. They're usually on top of some pretty rooftops. It'll make for a great view."

"It's a date then. Keep me posted on this...roof party."

"Didn't I give you my phone number, Rog?"

"..."

"Hm?"

"I dropped the slip of paper in a puddle on the day I got here. God's honest truth, El. Which is why I sent you a postcard."

"I'll entertain that story for a while...." she joked, "I can give it to you again, if you'd like."

"Yes please." Roger said sheepishly; a shuffling audible in the background.

"626...."

---

masterlist | playlist

Taglist: @diaryofafan17 @tophats-n-lespauls @witchesdust @jonesyjonesyjonesy @paginate54 @hejustsatisfiess @salixfragilis @princesspagey @reincarnated70sbaby @rebel-without-a-zeppelin @kyunisixx if you want to be added to the list lmk!

[anxiouslyfred]

Moss Graffiti

Summary: Virgil was convinced his soulmate worked in nuclear power from the poem he got describing them. He’s about to learn how wrong that is, and how weirdly some corporations view graffiti.

/\/\

Virgil's soulmate had to do something in nuclear power. He was certain of it. Why else would his poem include the line 'Green pollution close to hand'?

Really he'd taken decades to reach that conclusion, trying to decide what it could mean. Pollution usually wasn't anything green at all, but from those Simpsons opening credits, to the glow shows always used for nuclear radiation, that had to be what was intended. Unless there was something else being done that corporations would try to claim as pollution, but that just opened too many trails for his thoughts to follow.

“Uneven floors present a trip hazard and either need indicating or fixing. That's the most important issue, I've found, shall we continue through the rest?” Virgil shook the momentary thoughts of his soulmate from his head, focusing back on the Health & Safety inspection he was doing.

The offices were just waiting for an accident to happen in a lot of places, and if he had to yell to actually get the manager to come over instead of the receptionist, he would be. There's no point booking him to conduct the inspection if they just wanted to ignore the issues raised in his report.

“Mr Furniss has requested you confirm if the pollution on the outer walls will need a specialist to remove.” The receptionist, Miss Mauby, asked, noting down his comments.

“I haven't noticed any pollution. Do you mind showing me the section he's referring to?” Virgil raised an eyebrow. There had been some graffiti on one of the walls near the entrance, but it hadn't looked like anything he'd need to take note of.

The wall he was led to pretty much guaranteed he would be storming back into the manager's office to give his report. Wasting his time demanding answers that a fool could tell was simply moss was absurd, despite the design and words showing it was all deliberately placed. Virgil already agreed that the company had a lot of issues it needed to be addressing, especially regarding the waste products being incorrectly disposed of at the factory site.

Turning to Miss Mauby he nodded, “I believe it would be best for me to give my initial review to Mr Furniss directly, and I'll send the report over in a matter of days.” He didn't wait for a reply, already returning to the building and the office that was indicated to belong to the site manager.

By the time Virgil was leaving the site, he'd begun to calm down and find it amusing. The manager of the place really did think that graffiti was pollution and not just unauthorised artwork. Perhaps they needed some language lessons to clear up the definition and impact of using the wrong terms. Science classes could help more though.

When he glanced back towards the moss words, he had to call over, “Better get away from there. I think Mr Furniss mentioned getting cameras set up to monitor their walls.”

“I'll find some other wall to protest on then. He can't monitor them all and ignores any emails or government mandates to follow the laws for disposal of contaminated waste.” The person called back, voice shrill and uncaring.

Virgil wandered closer, a little curious to know more. “How did you even manage it anyway? I didn't think you could control where or how moss grows.”

“I made moss paint and spray with water each afternoon. For this lot at least. I've got twenty other sites I do this too and commissions to take for peoples gardens occasionally.” Virgil began to worry he'd asked the wrong thing with the lack of energy compared to the person's original response before they jumped to face him, “I'm making nature fight back for itself when it can't speak. The moss, lichens and plants shall rise to destroy humanity with my aid!”

“Okay, cool, erm good luck with that. I'll leave you to it then.” Virgil backed away at the yell, startled and very concerned that if someone in the office came out to see him talking with the moss graffiti guy he could lose payment for his services.

It was only once he got home that Virgil thought whoever it was looking after that moss seemed to fill 3 of the 4 lines in his soul poem, especially with that companies boss claiming graffiti was pollution.

He checked while swapping his jacket for a hoodie and the idea only grew at the familiar lines:

Uncontrolled by any rule,

Dangerous Attitude, surface cool.

Green pollution close to hand.

Trust fleeting as the sand.

Virgil had gotten the poem as a tattoo as soon as he was old enough to. He didn't want anybody finding out what his poem was and the easiest way to ensure that was to keep the only record of it literally on him.

Perhaps they'd encounter each other again in the city. Virgil did have other gigs coming up for offices of corporations known to be major polluters.

/Over to the Graffiti Artist\

Remus had been curious about the guy who'd come over asking about his graffiti, but he got people running away from him. It happened often enough pretty much anytime he tried to make friends.

He pushed the curiosity out of his mind though, focusing on that morning's project. He was still cultivating the moss on the edge of an animal testing lab for a soaps company and needed to make sure he was using the right mosses so the creature yelling at the company was recognisable.

“Get Away from there! I'll call the police on you for doing-” The angry yelling cut off when the woman got close enough.

Remus smirked, not turning around, but well aware it looked like he was just painting water onto the wall with how diluted he'd made the moss-paint today. He'd expected someone to try and stop him and wasn't going to give away what he was doing, including the fact these were rare mosses that if it got out the company had removed would enrage some environmentalist charities.

“Well isn't this fun. Do you often greet contractors by yelling at someone painting the walls with water, or am I just special?” The curious guy from yesterday was back, and apparently ignoring Remus in favour of greeting the woman. It was an interesting way to try and stick up for him though.

None of the apologies she was now stuttering out got directed to him either, and Remus finally realised this was one of the managers of the building and the guy had to be some sort of contractor. Not that it mattered to him of course, guy got scared off by a tiny bit of excitement.

He was humming while working on an established moss garden that evening when the guy walked passed again, and seriously Remus was beginning to think some cosmic force wanted them to talk.

“How'd you get the different colours?” The guy actually stopped to ask, glancing over the patterns. Dull, boring spirals. Remus had a far more interesting moss garden on the outer walls of his apartment.

“Different mosses.” He replied, turning to get more water for his spray bottle. It wasn't necessary, but he didn't feel like watching someone try to escape him currently.

The guy stayed waiting there, long enough Remus couldn't avoid returning to his work. “I'm Virgil by the way. He/Him. Sorry about that bitch this morning. She really needs to focus more on adequate safety railings and less on how the building looks. Aesthetic is not worth health hazards!” He sort of ranted, definitely trying to make conversation.

“I'm Remus and you're already scared of me, so I don't think you want to hear my actual views. Bugger off to screw in a H&S approved fallout bunker or something.” Remus interrupted before he could say anything else.

“No need to be a jerk, and sorry I'm not interested in losing a paycheck because the boss of a building is an asshole. Yelling and getting attention when I've just finished a place that specifically tried to call your work a biohazard could easily have the company finding some way out of paying for aiding a vandal or whatever.” Virgil snapped back, glaring. “I just wanted to know more because your work looks awesome, but fine, I'll leave asking more for some other day.”

Remus scoffed, throwing his spray bottle to one side and turning, “Yeah, when you decide I'm invisible again because I'm near one of those building's that's contracting you to yell at them. Fantastic chance to ask questions when you won't even glance my way.”

His words must have trigger some confusing thought process for Virgil as his right hand jumped to covering his left forearm, almost brushing over it in an odd pattern. He watched for a moment before turning back to checking the outlines were still clear.

“I can't put my chances of making the rent at stake, but fine, next time I see you I'll find time to stop and at least say hi. I'm going to get to know you, Remus. You can trust me on that, whether you believe it or not.” The words were threatening, and Remus wanted to come up with some actual threats Virgil could have used, but still didn't want to watch him run away.

“Only the naïve trust people instantly. Or the people wanting to use you and twist you into a different shape. I'm neither of those and the only time someone else controls how I twist is when they're bending me over.” He dismissed the promise and started humming again, pretending to focus on his work.

If they spoke for much longer of course he'd say something to have this brittle connection thoroughly sever.

That night Remus was still wondering about Virgil. How concerned he sounded over losing pay, and some vague terrible happening that could follow it.

There was definitely something of his soulmate poem in how the man was speaking and acting, but it just felt like another thing for Remus to hope for and end up destroying.

He had to listen to that old song again, if only to confirm it couldn't be Virgil at all:

Lashing out just to be heard

Worry infusing every word.

Cautious but convinceable,

Dreams their friends invincible.

/Days passing by\

The warning Virgil had given on the first time they encountered each other had been proven right. That company had put up cameras over the footpaths on the buildings, with only a few sections left clear of surveillance.

Remus had refreshed his free-running skills enough to get up onto one of the ledges. He wasn't expecting to get yelled at to get down and that it wasn't safe while checking if there was another layer of moss-paint needed or not.

“Virgil, you're really going to attract attention if you don't quiet down.” Remus sing-songed, leaning to look down from the ledge he was stood on, and grinning at the glare he was being given.

He wasn't expecting Virgil to walk a few steps back before launching himself up the wall. “And you're going to do yourself a freaking injury. Is constantly climbing up here really necessary for you to get the message across?”

“Yes, they're going to keep having the message painted until the listen and actually sort out the waste disposal of the factory.” Remus nodded. Virgil had been speaking to him, and actually seeking out the places Remus would turn up ever since threatening to get to know him. “Besides, a suicide on the property with this message growing afterwards would definitely make the news, get public interest sparked over everything they're doing wrong. Sounds like the perfect storm for them to face.”

“Except the part where you die. Not allowed. You act like you're invincible and I wish to whoever's listening you were.” Virgil snapped, and snatched the brush from Remus's hands for some reason. “Come on, tell me where I'm painting this one, and I'll help. Sooner you get this done, the sooner I can get you safely down from here!”

Remus blinked at the change, wondering whether this was what 'cautious but convinceable' meant before shaking it off. “That's for the darker bits. Currently just look like some discolouring. I'll do the pale bits since the difference for those can't be made out yet. Why would you want me to be invincible anyways? Most people would be glad to see something break me, even if they wouldn't wish me dead. A sever injury, maybe causing paralysis, and they'd all sigh knowing where I am and thinking they could control how much trouble I cause.”

“Sounds like you know a ton of jerks then. You're my Friend Remus. Not many people can say that and I'm not going to let you jeopardise my friend's life all to make a point against horrible business practices.” Virgil lectured, already following the lines, although his shoulders were so tense Remus wondered how his movements with the brush could be so fluid.

In more interesting news that literally sounded like the 2 lines Remus had mentally been insisting couldn't relate to Virgil had fallen into place and suddenly fitted him perfectly. He was singing the soul poem without thinking it, performing a short dance when he realised Virgil was staring.

“So are you writing poems about me now or is that, you know?” Virgil muttered a few moments after he finished singing.

“My soul Poem!” Remus squealed and the only thing that stopped him bouncing was Virgil's eyes quickly falling to his feet. The edge was close behind him and he wasn't going to fall after deciding that Virgil was his soulmate. “Seems to be perfect for you, right?!”

Virgil just nodded, shoving up the sleeve of his jacket and holding the arm out to Remus. “Get away from the edge, read this and have a laugh at what the manager of this place called your art.”

The tattoo was brilliant, with letters that looked like they were bleeding, and thorns twisting together to frame it. Realising the poem actually did describe him only made it better.

“So we are simply meant to be.” Remus grinned.

At least he knew this health and safety inspector wasn't completely against breaking the rules occasionally, at least if it meant they could keep each other safe instead.

[howaminotinthestrokesyet]

Behind The Album: In Utero

The third and final studio album from Nirvana was released in September 1993 via DGC records. The band wanted to make a clear departure from how their second album sounded. They felt that their huge hit album, Nevermind, was too polished as a record. The producer of that second LP, Butch Vig, would later note that Kurt Cobain needed to “reclaim his punk ethics or cred.” For his part Cobain would tell Rolling Stone in early 1992 that the record would have elements to it much more raw then found on the second album. However, he did emphasize the fact that the pop sound would not disappear entirely. He had hoped to start working on it l in the middle of 1992, but distance between band members getting together was an issue as they all lived in different cities. Another issue came in the fact that Courtney Love was expecting their first child. DGC was hoping to release a new record by Christmas of the year, but instead they were forced to go with the compilation album of all the early material from Sub Pop, Incesticide. For In Utero, Cobain showed interest in working with former producer of Bleach, Jack Endino and Steve Albini. They brought in Endino to work on a few instrumentals for the record that were eventually re-recorded, and he was never asked to produce in any capacity. The group went back and forth debating whether to hire Albini or not. In January 1993, the group recorded another set of demos while on tour in Rio De Janeiro, Brazil. This would later become the track, “Gallons of Rubbing Alcohol Flow Through the Strip,” which originally had the working title of I’ll Take You Down to the Pavement. The latter represented a direct reference to an argument between Cobain and Guns N’ Roses frontman Axl Rose at the 1992 MTV Video Music Awards. The band finally decided to go with Albini as a producer despite his reputation of strict discipline within the studio and remaining one of the most opinionated producers out there. He was said to have referred to Nirvana as “REM with a fuzz box, unremarkable Seattle sound.” He would later say that his decision to work with the band came out of sympathy, feeling smaller groups like Nirvana were at the mercy of the record label. This particular statement should be taken with a grain of salt as Nirvana had just released the biggest record since Appetite for Destruction. Cobain had been a fan of the producer based on his work with the Pixies and the Breeders.

Producer Albini wanted to complete recording within a strict two week timeframe. Nirvana paid for the recording sessions themselves on Albini’s suggestion to avoid interference from the record label. The band paid him $24,000 for his services, while he refused any royalties whatsoever, which would have amounted to $500,000. He would continually say that royalties were immoral and a complete insult to the artist. They recorded at Pachyderm Studios in Cannon Falls, Minnesota in February 1993. Krist Novoselic would compare the environment to a gulag. “There was snow outside, we couldn't go anywhere. We just worked." Nirvana during this time emphasized to the record company that they wanted absolutely no interference from them, which meant they did not share anything from these sessions with their A & R representative. For his part, Steve Albini followed suit by only speaking with members of the band. He characterized anyone associated with the group as “pieces of shit.” After a short delay, the band's equipment finally arrived, so the actual recording of the album went very quickly. Each track began with the group playing together as one doing the instrumental aspect of it. For some tracks, Dave Grohl did the drums in the kitchen due to the natural acoustics sounding better. Albini had also surrounded his drums with 30 microphones for each track. They did not remove any take from the album, but instead kept them all. Cobain even added more guitar parts at the end of each day before doing the vocals. Although Albini had a reputation for being opinionated, he let Nirvana decide what to keep. “Generally speaking, [Cobain] knows what he thinks is acceptable and what isn't acceptable [...] He can make concrete steps to improve things that he doesn't think are acceptable." They did all of their musical work in six days, while Cobain said that it was the easiest recording he had ever done. Albini proceeded to mix the album in five days, which actually was slow by his standards because he usually only spent 1 to 2 days on it.

After completion, the band began to send the unmastered tapes to various people including the president of the DGC records. They absolutely hated it saying the songwriting was mediocre, the entire album was unlistenable, and radio would never except Albini’s production. Cobain took the comments personally to mean that the label wanted him to start from scratch and record again with a new producer. He would say, “I should just re-record this record and do the same thing we did last year because we sold out last year—there's no reason to try and redeem ourselves as artists at this point. I can't help myself—I'm just putting out a record I would like to listen to at home." Yet, the group remained dead set on releasing this version of the record as late as April 1993. They had played it for a number of their friends, who had liked it. The singer said, “Of course, they want another Nevermind, but I'd rather die than do that. This is exactly the kind of record I would buy as a fan, that I would enjoy owning." Around this time, some doubts crept up with all members of Nirvana because the mix of In Utero did not sound right. They asked Albini to possibly remix the record, and he flat out refused. “[Cobain] wanted to make a record that he could slam down on the table and say, 'Listen, I know this is good, and I know your concerns about it are meaningless, so go with it.' And I don't think he felt he had that yet ... My problem was that I feared a slippery slope." They took the record to Bob Ludwig for mastering, while at the same time mentioned their issues with the mix to him. Upon completion, Krist Novoselic said he was happy with the result, but Cobain still felt it was not perfect. At this time, Steve Albini gave an interview with the Chicago Tribune, where he doubted whether the record would ever be released. Newsweek would run another article that echoed the comments made by Albini. This caused Nirvana to write a full page letter to the magazine denying the label was putting any undue pressure on them. The same letter would be reproduced as a full page ad in Billboard not long after. The head of Geffen Records, who owned DGC made the unprecedented move of actually calling Newsweek to complain. The band thought about having Andy Wallace remix the release, but once again Albini refused saying they had only agreed to work with him. At the time, the producer also would release any of the tapes that were now in his possession. He only did so after a phone call from Krist Novoselic. The entire album for the most part was not changed at all, except for a remastering. Yet, the producer continually made comments that it was nowhere near the album he recorded in Minnesota. “The record in the stores doesn't sound all that much like the record that was made, though it's still them singing and playing their songs, and the musical quality of it still comes across." He would go on to say that major labels refused to work with him for the next year or so because of In Utero.

As for the music, the producer wanted to go as far away as possible from Nevermind with this record. He felt that the second album made the group look incredibly bad because it had been overproduced at such a level to make it extremely radio friendly. He wanted to create a much more natural sound for the group. The 1993 Nirvana biography, Come As You Are, noted the vision for the band on this record. “The Beatlesque 'Dumb' happily coexists beside the all-out frenzied punk graffiti of 'Milk It,' while 'All Apologies' is worlds away from the apoplectic 'Scentless Apprentice.' It's as if [Cobain] has given up trying to meld his punk and pop instincts into one harmonious whole. Forget it. This is war." If one goes through the track listing, you can count which tracks are over the top punk, and which tracks are more radio friendly pop. The interesting thing is that they correspond equally, 6 to 6. Fans and critics alike would talk about how abrasive In Utero turned out to be, but Cobain and Novoselic really did not see it that way. The bass player had said the band had always had songs as they are found on In Utero. Yet, the group did consciously try to bring fans into the more punk sounding songs by releasing the first two singles that could have realistically been included on Nevermind. Some of the songs found on the record had been written years prior as early as 1990. Cobain used various points of inspiration for the lyrics. The track “Frances Farmer” came from a 1978 biography of the Seattle figure called Shadowland. “Scentless Apprentice” originated from a horror novel that the singer had read by Patrick Suskind. One of the central themes found on the album noted in that same Nirvana biography from 1993 was the fact that every song talked about sickness or disease in some manner. Although Cobain said the lyrics were very impersonal to him, many disagreed with this assessment. Dave Grohl would say this in an interview. “A lot of what he has to say is related to a lot of the shit he's gone through. And it's not so much teen angst anymore. It's a whole different ball game: rock star angst." The singer continued to argue that much of the album had been written years prior to any issues he was going through at the time. For example, “Rape Me” quite possibly could be talking about his frustration with the media in how he has been portrayed over the past couple of years. The track “Serve the Servants” seemed to specifically talk about Cobain’s father and how divorce affected him from a very early age. The Nirvana frontman wanted his father to know that he did not despise him, but he also had no desire to be around him whatsoever. One track, “Gallons of Alcohol Flow Through the Strip,” was actually one of the only improvisational tracks they ever recorded. The song represented a jam session that the group would frequently participate in in during down times at the studio. They had done this quite often, but this would be the first time that it was ever recorded in some form.

Upon its release, the record label took a very low key approach to promoting the album. None of the singles would come out commercially in the United States, as they concentrated all of their press releases at media specializing in alternative music. The band remained convinced that there was absolutely no way that In Utero would sell even a quarter of what Nevermind sold. The record would debut at number one on the charts selling 180,000 copies in its first week. They sold this many copies without big retail chains like Kmart and Walmart selling it because officially the demand was not there. The truth was actually these chains feared backlash due to the graphic nature of the artwork accompanying the album. In March 1994, an edited version of the album would be released with new artwork and alternative song titles. The band made this concession saying they wanted fans who could not go to a traditional record store to be able to purchase the LP. Following the death of Cobain. the third single “Pennyroyal Tea” was canceled, as well as any tour plans. Immediately following his death, the popularity of In Utero on the charts increased by 122% from 72 to 27. The album would eventually be certified five times platinum.

Critics were not unanimous in the praise of In Utero. For the most part, rock writers really liked the new sound from Nirvana. Time’s Christopher John Farley noted that once again perhaps the mainstream may need to go to Nirvana, rather than the other way around. David Browne of Entertainment Weekly emphasized the absolute contrasts on the release. “The music is often mesmerizing, cathartic rock & roll, but it is rock & roll without release, because the band is suspicious of the old-school rock clichés such a release would evoke." David Fricke of Rolling Stone would say that the record was both “brilliant and corrosive,” but undoubtedly a “triumph of the will” for Kurt Cobain. NME’s John Mulvey did not share the same sentiment as he observed the album really was not up to par with previous Nirvana standards. The review from Plugged In did not mince words saying it had absolutely no redeeming value whatsoever. Some reviews became quite bittersweet as you are reminded of Cobain’s suicide. Q said this about the record. "If this is how Cobain is going to develop, the future is lighthouse-bright." Ben Thompson of the Independent merely seemed happy that the record did not represent the punk rock nightmare the group had continually threatened to release. In Utero would go on to top several end of the year lists as one of the best albums including Rolling Stone, Village Voice, and the New York Times. The band would even receive a Grammy nomination in 1994 for Best Alternative Album. As time has passed, critics have lavished even more phrase on it seeing their work with Albini as far superior to Nevermind. Charles R. Cross would write in his Cobain biography, “If it is possible for an album that sold four million copies to be overlooked, or underappreciated, then In Utero is that lost pearl." Pitchfork named it the 13th best album of the 1990s, while it even made Rolling Stone’s list of the 500 Greatest Albums of All Time. NME named it number 35 on its greatest albums of all time list creating quite a sense of irony since the periodical did not think too much of the album at the time of its release.